The time finally came for our trip to Galapagos and I was ready with a set of think rubber suits to overcome the cold water. I just bought a 5mm Oneill Sector (wonderful suit) a 3mm hooded vest, kevlar gloves and a 5mm 4th Element short john. Well the short john was not used and for most I used just the wetsuit and a set of O’Neill Thermo X unders (very recommended) as El Nino is coming and the water was warmer at 25-27C or 77-80F.
This means lack of schooling hammerhead at shallow depth close to the reef, they were in the blue. We had however our good dose of schooling barracuda, tuna (in the 1000s) and even galapagos sharks
This is the video I produced
If you have problems with playing in your country use vimeo instead
The conditions were difficult with low visibility and in some sites very green water as you can see here
- Sony RX100II in Nauticam housing
- FIx adapter for Inon LD mount
- Inon UWL-H100
- Deeproof blue water filter
- Sola video lights 1200 (just few shots of the barracudas and some close ups)
- Combination of arms and sometimes no arms
- Ultralight tray TR-DM with extension and handles
The video has been produced with iMovie 9.0.4 no stabilization performed except the scene with the moray eels mating (very mild)
I shot the whole trip in shutter priority 1/50th of a second in the 25 fps 24 Mbps format. After some tests at home I have decided to use this mode as I can’t physically play the 50 fps files the camera produces on any of my devices differently. The 25 fps gives a film look and very smooth footage. This format is only available on the RX100II and not on the original RX100 so the consideration I made at the time for video settings of the RX100 remain valid.
The benefit of 1/50th shutter speed is a full f/stop of light the disbenefit is that at the surface and for backlit shots this is too slow, in those cases I go back to program mode or increase shutter speed to 1/100 or 1/200 or more.
For what concerns the editing I import the raw files in iMovie without using the conversion and then export with x264 using very slow preset and level 4.0 compatibility to use it with my appleTv.
I do minimal color correction in some cases I had to eliminate the red color cast of the filter when shooting upwards, to do that I change the white balance to top yellow until i remove the cast.
In some cases I had to put the green gain to the max for the same problem but in all other cases there is NO color correction in post.
When you work with AVCHD cameras the footage is compressed and the key is to get it right in camera.
As Galapagos conditions were challenging, although less than I expected, I used gloves in some dives to hang on to the barnacles and I also modified the set up to completely eliminate the lights.
I would dive with two 3″ segments and two 6″ Inon Mega float arms when I had the lights on and for other shots in ambient light I would have this set up here that looks odd but it is very effective and almost neutral at only 120 grams in water. The position of the floats means the camera stays upright at all times.
I would put a single Sola light on top of the housing not for video purpose but to signal the dive master when I was a bit far in the murky or dark waters. I used this set up on almost all blue water dives (Darwin and Wolf) and the normal set up with lights for the South and West sites with murky or green water.
There will be a separate post on the photos, I did a total of 18 dives with the camera of which 4 where photo and 14 video. You can see an example in the featured image.
I have now ran some statistics on the final clip that I produced
I used a total of 41 video clips:
ISO average was 273 with the following breakdown
- 2 clips at 160
- 30 clips at 200
- 6 clips at 400
- 3 clips at 800
f/stop average was 3.1 hyperfocal distance on average 1.16 meters. So if I were able to shoot without filter I would have not gained anything in terms of sharpness as most subjects were further away
I would consider the Galapagos and the dive trip I did not the best in terms of brightness and visibility so I would conclude that the RX100II with the Inon UWL-H100 and a red filter is the best set up for wide angle video in terms of performance, ease of use and flexibility.