Category Archives: housing

Leak Sentinel V4 and Vivid Housing Vacuum Valves

A few weeks ago I was trying to buy a second hand Nauticam GH4 housing with the camera and I thought I could have recycled the valve on the GX7 housing. However I did not manage to take it off, even using the tool provided the valve would not come off.

Bare Vacuum Valve

The prospect of buying another valve did not sound particularly appealing so I tried to work out if there were some basic options out there and got in touch with vivid housings.

P1020804
Left Leak Sentinel V4 Right M14 Vacuum Valve

 

I wanted to find out if it was possible to use the leak sentinel that I still had as a dumb valve. I was also told that is possible to order the v4 circuit board for your leak sentinel v3 for €50. But I also noticed that there was a valve only option for €75. After a few discussions it turns out that is possible to order the vacuum valve (without circuit board) and the pump for €95 including shipping. This sounded quite appealing.

Unfortunately the valve was stopped at customs and it was dented disassembled and put back together damaging the o’ring plus my prospective seller for the GH4 rig had gone away. So in order to test if the valve was still working I used it with the M16 adapter that came with the leak sentinel v3 on the LX100 housing I have on loan that thankfully I have yet to return.

It works a treat! I posted a quick video review on my channel

Leak Sentinel v4 Updated Review

Vivid housing have taken on board my suggestions and the Leak Sentinel V4 comes with temperature compensation and also a very useful overnight mode. You an pressurize the housing and switch off the circuit if you prepare the rig overnight and then put it back on again. This is a clear advantage over other systems where the switch can only be accessed opening the housing. Another benefit is that if you have to change a port you also don’t need to fully open the housing.

I tested the leak sentinel v4 in parallel with the Nauticam system and generally worked well but there still some sensitivity having the sensor outside the housing so I suggest giving an extra stroke once vacuum is reached for safety otherwise the indicator may start blinking. Another useful feature is the battery warning indicator.

Frankly if you have a housing already equipped with a circuit and an indicator like the nauticam system it is likely you will only get the valve, after all the system in the housing has also a moisture sensor with an audible alarm. But if you have a housing without electronics the leak sentinel is a very cost effective option.

A word of warning as the circuit board is inside the valve care must be taken to have completely dry hands and dry environment when the valve is depressurised otherwise humidity can get into the PCB and make it fail.

The leak sentinel v4 costs €200 including shipping worldwide.

Both products are sold by vivid housings http://www.vividhousings.com

For clarity I received no benefit or commission on any of my review and I remain vendor independent!

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Nauticam NA-LX100 4K Video Review

Following the previous review that was dedicated to still images we now go into the subject of 4K video with the Panasonic LX100 and related Nauticam LX-100.

Currently there are only two compact cameras that produce 4K video the Sony RX100 and the Panasonic LX100.

The housing for the Sony RX100 has a traditional M67 port whilst the LX100 uses the N50 compact port system.

This means you can use all your wet lenses with the RX100 without specific adapters. The LX100 has however a number of benefits.

This table compares the field of view of the two cameras in 4K video mode.

LX100
4K Horizontal FOV Vertical FOV Diagonal FOV Sensor width 35mm 3:2
26.00 71.90 44.40 79.50 15.80 23.86
81.00 26.20 14.90 29.90 15.80 74.40
RX100
4K Horizontal FOV Vertical FOV Diagonal FOV Sensor width 35mm 3:2
28.00 67.90 41.50 75.40 11.85 26.73
80.00 26.00 14.80 29.60 11.85 76.37

When the camera shoots in 4K mode the focal length remains the same however the camera uses a smaller part of the sensor. A normal micro four third sensor measures 17.3×12 mm whilst the 1″ sensor of the RX100 is 13.2×8.8 mm. Note that the LX100 does not use the whole sensor due to the multi aspect format that keeps the diagonal field of view unchanged regardless of the image format.

What we can see in the LX100 table is that although the focal length in 4K is 26mm the horizontal field of view is the same of a full frame camera with a lens of 23.86mm this means the field of view in 4K should be slightly wider than a picture taken by the LX100 in 4:3 format.

I put the camera on a tripod and took two sample shots, this is the first at 24mm in 4:3 format that I then cropped to 16:9.

4:3 Crop to 16:9
4:3 Crop to 16:9

This other shot is from exactly the same position taken extracting a 4K frame from a small video.

4K Photo 16:9
4K Photo 16:9

As stated the horizontal dimension is just a few mm wider in 4K 16:9.

What this means is that this is the same that any normal camera with a 24mm lens that then is cropped to movie format in terms of field of view.

The Sony RX100 does not have a multi aspect sensor and therefore the horizontal field of view drops more.

With the short port on the LX100 using a wet lens like the Inon UWL-H100 we can achieve more than 97° horizontal which is very wide and zoom all the way to 79° and if we use a wetmate or the mini dome cover the other range between 72° and 50°.

Practically the LX100 with wet lenses and wetmate or minidome gives you access to focal lengths between 15.5-21mm and again 24-35mm is like having an 8-18mm lens on a micro four third which is good for whale sharks and mantas this is even wider than the 7-14mm lens on a Panasonic GH4 in 4K and the LX100 has a (weak) optical stabiliser on the lens.

The RX100 mark IV instead can only cover between 96° and 90° before the wet lens stops working properly and we jump to 68° if using a wetmate.

UWL-H100 Flat Test Cards
UWL-H100 Flat Test Cards

This shot taken at around 15cm shows a nearly rectilinear and very wide image.

In short if you are after some super wide angle in 4K the LX100 is definitely the way to go.

From an ergonomic point of view I shoot video in shutter priority and let the camera work out ISO and aperture, this is relatively easy to do with the LX100 although the absence of custom memory modes on a mode dial is painful.

A control that can be quite useful due to the tendency of the LX100 to go focus hunting is to set the ae/af lock button to af-on. This requires the shutter to be set in release priority with this control you can use manual focus and force the LX100 to refocus when you hit the af-lock. This is a very useful feature.

Update 28 September the method described to fight focus hunting does not work in 4K. There is going to be another post with the best settings for 4K video for the LX100.

For what concerns macro both the LX100 and RX100 present their challenges due to the short zoom lens, the LX100 more so due to the horrible rectangular port. It can be argued that you can’t shoot wide and macro with the LX100 whilst you can do that with the RX100 however the strength of the LX100 is certainly in its very wide lens and the short port that combined with a flat wide angle lens can produce an extremely wide field of view able to cover practically almost any wide angle scene.

For macro the GH4 and upcoming GX8 are probably going to be better placed due to the higher crop factor giving focal lengths in excess of 100mm using the 14-42mm lenses.

If you want to get into 4K video and your focus is primarily wide angle the LX100 is an excellent device.

The WWL-1 on a Nauticam LX100
The WWL-1 on a Nauticam LX100

 

Nauticam NA-LX100 housing and port system review

Nauticam has given me the opportunity to test the housing for the Panasonic LX100 priced at $1,200 or £922 in UK.

As anticipated some time ago this housing features the new N50 mini port system for compact.

NA-LX100 aperture and format dial
NA-LX100 aperture and format dial

The housing comes with the rectangular port as a standard, as the LX100 has a 24mm equivalent lens and the lens extends quite a lot between the shortest and longest focal length it is not possible to use an M67 long port or there will be vignetting.

In order to install the camera you need to set the aperture to f/16 and the aspect ratio to 4:3 with focus mode in normal and lift the zoom lever. Likewise to take the camera out of the housing.

LX100 housing preparation
LX100 housing preparation

Unfortunately as mentioned several times on this blog pincushion distortion severely affects the image at focal lengths shorter than 35mm equivalent as our in water test shot demonstrated. If you zoom in the corners you can see also extensive blur and chromatic aberrations.

LX100 flat port at 24mm
LX100 flat port at 24mm

Furthermore the lack of an M67 port means you now need the Nautical flip diopter for rectangular port that costs $220 or £170.

When you eventually get to put a diopter on the lack of zoom means that magnification with traditional lenses is quite limited.

UL-165
NA-LX100 UCL-165

The frame width is 62mm with a single Inon UCl-165 and goes to 5cm when we stack another UCL-330.

UCL-165+330
NA-LX100 UCL-165+330

Image quality is ok except some blue fringing at the borders.

A single UCL-100 gives a frame width of 42mm.

UCL-100
NA-LX100 UCL-100

Apparently the Nauticam CMC ($320 or £240) gives 32mm frame width that is adequate for macro.

So if you are into macro you need to invest $1,200+$220+$320=$1,740 to have some decent magnification.

If you possess many clamps and cold shoe ball mounts you can buy an Inon M67 lens arm and use the lenses you have saving some $$$ but the magnification is limited unless you get the CMC.

For semi-wide angle a mini dome port is available at $280 or £216.

N50 3.5
N50 3.5″ Mini Dome

This restores the field of view in air however you can only zoom to 40mm before the camera can’t focus anymore. I have even tried with dry diopters on the camera there is no improvement.

Optical quality is great.

LX100 Mini Dome 24mm
LX100 Mini Dome 24mm

Probably the most useful port is the N50 short port that has an m67 thread and allows to use wet wide angle lenses.

N50 Short Port
N50 Short Port

I went to Swanage but got the tide wrong visibility was shocking still gives an idea of the image quality of the LX100 with the Nauticam WWL-1 wet lens.

SWANAGE (4 of 4)
Atlantic Ocean Anemones
SWANAGE (3 of 4)
Kelp?
Upside down
Upside down
SWANAGE (1 of 4)
Myst!

If you have a Nauticam wet mate you can also use it with the short port and achieve the same or better sharpness than the minidome thought with some residual chromatic aberration.

LX100 Short Port Wet Mate 24mm
LX100 Short Port Wet Mate 24mm

The big benefit is that if you find that your wet wide angle lens is too wide for what you are shooting you can change lens without changing the port.

NA-LX100 rear buttons
NA-LX100 rear buttons

For what concerns the ergonomics of the LX100 they are quite intuitive on land.

One of the characteristics is the lack of a mode dial.

You have an auto position  for shutter speed and aperture and if you leave them as such the camera shoots in program mode.

Once you move the aperture the camera goes in aperture priority mode. Probably the worst situation is the shutter dial that once touched has to come down all the way from 1/4000 to whatever you need it to be.

Also you don’t have thirds of exposure for the shutter dial and for example to get 1/50 you need to go to 1/60 and then use the rear dial.

I found the ergonomics of the camera in water particularly annoying as I was shooting with gloves. I did like the nauticam trigger system for the shutter however the amount of hardware of the nauticam tray and its weight are not really an option for me.

The Panasonic LX100 is a very interesting camera on land but in water ends up quite uncomfortable and expensive. The housing with the 3 ports comes at $1,200+$180+$280 if you add the Nauticam CMC and the WWL-1 you end with a whopping $3,195 the camera costs another $800. Total investment $4,000.

This is a lot of money in my opinion considering that with another $300 you can get a Panasonic GX7 with GX7 housing, an Olympus 60mm with 65 macro port and a Panasonic 8mm fisheye with 4.33″ dome. The LX100 and GX7 share the same sensor but there is no doubt that the macro performance of a dedicated lens as well as the fisheye of the 8mm lens have no comparison.

In conclusion the Panasonic LX100 with NA-LX100 is a bit of a flop for stills the only use that I can think of is wide angle 4K video with the short port and a wet lens but other than that I don’t see how Nauticam is going to sell many of those units.

Panasonic GX7 First Test

So time has come for my first video with a micro four third camera the Panasonic GX7. I had only 3 dives in Sharm and conditions on Naama Bay beach were not the best but still good enough to give the set up a good try, this is the resulting video.

I used the Nauticam housing with the Macro 35 port and the M67-LD adapter so that I could use the Inon UWL-H100 wet lens.

As it is not possible to fix the position of the lens I had to take the hood off and therefore I used an Ikelite UR/PRO filter for the 100mm lens. I had to use gaffer tape on the lens and inside the filter or it would be loose but it worked.

The first dive was with the URPRO filter in auto white balance, I was hoping this would give me good results but instead everything came with a strong yellow cast.

From the second dive I used custom white balance and the results were much much better.

To give an idea of the issue this is a shot of a grey card with the UR/PRO filter on land with white balance fixed.

URPRO test card
URPRO test card

You can see what kind of effect the filter bear it is orange in colour.

Other than this I was pretty happy with the GX7 especially because I could use the full zoom with the wide angle lens this is the first time I see it working. The moray eel shot towards the end of the video is an example.

Back home I was not happy at all about the UR/PRO and the inability to work with auto white balance. Probably I could have played with the tint but it did not come to mind. So I got in touch with Peter Rowlands of Magic Filters to see if they had an option that would fit on the Ikelite mount. Peter sent me two sample and they fit perfectly in the ikelite frame, though this is not commercially available I guess you can request those if you are not happy with the ikelite UR/PRO.

This is the same test card with the magic auto filter.

DSC04030

You can see that it looks less orange and also slightly colder.

I did some tests and the UR/PRO is a warmer filter with 2700K temperature whilst the magic auto is 3200K. The magic is however more red and has more magenta tint than the UR/PRO.

For me this means that the magic will work better in auto and will require less custom white balance. However those 500K difference mean you will eventually need to custom white balance once you go below 18-21 meters. I know people say filter work until 21 meters anyway but I have tried with deeproof down to 30 and on a bright day it was still good.

So if you are not happy with the yellow cast of your UR/PRO in auto white balance is definitely worth giving magic filters a go.

The GX7 confirmed all the good features including the ex tele mode

Here the shrimps are shot with a single Inon UCL-165 and then the close up of the head uses ex tele that pushes well over super macro.

Look at the incredible ability to refocus in video mode. See how focus locks on the shrimps when I press the button.

Overall the GX7 can do pretty much everything on a single dive with a wet wide angle lens and a close up lens. You can cover from 100 degrees wide to super macro. The fact you can zoom with the wide angle removes the need to take the lens off at every occasion and in fact in the red sea you barely need to have any other lens.

I was not particularly happy with the lack of hood that the ikelite filter wants removed so I experienced the occasional flare. Still pretty good result.

The clip looks much better at home than it does on youtube where the gap with the RX100 seems much smaller.

So as far as video is concerned if you don’t need 4K the GX7 gives you extremely high quality footage and reasonable cost.

A final note I shot this video in 24p at home I can’t tell the difference with 25p see if you can see it!

The end of advanced compact cameras for underwater photography

With the arrival of the new Nauticam N50 port system for advanced compacts I believe we say goodbye to using a large sensor compact underwater.

We already saw some signs when Sony released the RX100 Mark III with a 24-70mm equivalent lens, this effectively killed any use of the camera for macro. The new Panasonic LX100 has a similar problem with a 24-75mm lens but on top it has the new N50 port system in the nauticam housing or a severely limited functionality in the Ikelite version. It is obvious that the Panasonic LX100 will have similar sever limitations for macro but also with only 10 Megapixels really not be a strong competitor.

The last kid on the block is the Canon G7X, this camera looks very similar to the Sony RX100 Mark II and has a 24-100 zoom range that on land is very useful with an aperture of f/2.8 at tele end that is really interesting for land use. However this camera in the Nauticam version has the same port system N50.

So why has Nauticam introduced this? Both the Canon G7X and the Panasonic LX100 have fairly long lenses in terms of physical size and the zoom mechanism is such that the lens is retracted at wide end. This means that there is quite a gap between the lens and the port and wet lenses in those conditions have issues of both corner softness and chromatic aberrations. So Nauticam has introduced a short port with zoom blocked so that wet lenses can be used.

Effectively this is like diving with a fixed 18mm lens on your camera behind a dome with no zoom capability, taking the wet lens off results in horrible pincushion distortion so not really appealing.

Pincushion Distortion at 24mm with flat port
Pincushion Distortion at 24mm with flat port

The dome port does not allow the use of the full zoom at least without a diopter, so this is of limited use too for video.

Cost wise the new housing with the port system are around $1,200 in the US with additional $350 for the dome and $180 for the flat wide port. We are approaching the low end of Micro 4/3 Nauticam housing prices and are more expensive than Olympus OEM options but without the same flexibility and quality in terms of lenses.

It is clear that the Sony RX100 Mark I and II will remain one of a kind and this is the reason why they remain popular few years after launch.

Sony RX100 Mark II Rig June 2014 Front
Sony RX100 Mark II Rig June 2014 Front

 

Nauticam NA-LX100 Pricing Confirmed

It is official now the prices of the NA-LX100 are confirmed

in US $1,200 for the housing with flat port, $180 for the wide short port and $350 for the 3.5″ acrylic dome.

In UK £920 for the housing and flat port, £150 for the wide short port and most likely £290 for the dome.

Which means we can now update the GH4 comparisons for 4K

Super Wide

Panasonic LX100  $899 NA-LX100 $1,200 with Short Port $180 and Wet lens Inon UWL-H100 $522

Panasonic GH4 with 7-14mm and 6″ dome $2750 housing and port only plus camera and lens $2,399

The max field of view of the two options is almost the same however you can’t zoom the LX100 due to the zoom lock on the housing.

LX100 $2,801

GH4 $5,149

Price Difference $2,348

Mid range

Panasonic LX100 $899 housing $1,200  3.5″ dome circa $350

Panasonic GH4 with 12-35mm and 6″ dome $2750 housing and port Camera and Lens $2,399

The LX100 is wider in 4K at 26-81mm vs 28-81mm of the GH4

LX100 $2,449

GH4 $5,149

Price Difference $2,700

Close Up

Panasonic LX100 with NA-LX100 rectangular port $2,099

Panasonic GH4 with 14-42 and 35 macro port $1,815 housing and port $2,680

The GH4 will have more magnification due to the longer focal length with the same diopter.

LX100 $2,099

GH4 $4,495

Price Difference $2,396

The gap is still significant even with the price increase ranging between $2348 and $2700.

I still have some concerns on the 3.5″ acrylic dome for the LX100 as I am not sure about focus distance. If this port works with the full zoom it is definitely the most appealing for video but we will need to check this out.

 

 

Nauticam NA-LX100 Released

On Christmas day Nauticam has released the NA-LX100 housing for the Panasonic DMC-LX100. It is priced at ¥168,000 which is 50,000 more expensive than the last NA-RX100 III.

If this translates correctly in $ and UK prices it means $1,399 plus tax or £895 including VAT for UK.

Here is the original link in Japanese on the fisheye homepage

http://www.fisheye-jp.com/products/compact/na_lx100.html

NA-LX100 with flat rectangular port
NA-LX100 Rear View

 

Prices for the short port for wet lenses and the dome port have not yet been announced but we know that the dome can use the camera at full zoom and that the short port. The US price of the flip diopter for the rectangular port is known and is $220.

Which means we can now update the GH4 comparisons for 4K

Super Wide

Panasonic LX100  $899 NA-LX100 with Short Port and Wet lens $2,000 circa

Panasonic GH4 with 7-14mm and 6″ dome $2750 housing and port only plus camera and lens $2,399

The max field of view of the two options is almost the same however you can’t zoom the LX100 due to the zoom lock on the housing.

LX100 $2,899

GH4 $5,149

Price Difference $2,250

Mid range

Panasonic LX100 $899 with 3.5″ dome circa $1,699

Panasonic GH4 with 12-35mm and 6″ dome $2750 housing and port Camera and Lens $2,399

The LX100 is wider in 4K at 26-81mm vs 28-81mm of the GH4

LX100 $2,599

GH4 $5,149

Price Difference $2,550

Close Up

Panasonic LX100 with NA-LX100 rectangular port $2,299

Panasonic GH4 with 14-42 and 35 macro port $1,815 housing and port $2,680

The GH4 will have more magnification due to the longer focal length with the same diopter.

LX100 $2,299

GH4 $4,495

Price Difference $2,195

The gap is still significant even with the price increase ranging between $2200 and $2500.

There is still an option to use the GH4 with wet lenses although this has only been tried with diopters to date it is technically possible to use a wet wide angle lens.

 

Panasonic DMC-LX100 Nauticam 4K Underwater video becomes affordable

This week I have been in contact with Nauticam that have given me some final details with regards to the NA-LX100 housing that will be released in the next weeks and is already available for pre-order in Hong Kong.

The housing is confirmed to have a changeable port system the default is the rectangular flat port as in the image below.

When shooting 4K the Panasonic LX100 focal length is 26-81mm which means that in water the default port will give a range of 35-108mm due to water magnification. This is however negated by the increased working distance so don’t get too excited about macro.

Panasonic LX100 Flat Port

There will be a flip diopter for the rectangular port as a separate accessory. Due to the limited zoom of the LX100 a strong diopter with power of at least +10 in water is required for macro.

The other option displayed was a mini dome port.

Nauticam LX100 Mini Dome Port

Nauticam has confirmed that this dome is 3.5″ wide and unfortunately there is no provision currently for a flip diopter for this port.

The 3.5″ acrylic port is probably the most versatile option for the Panasonic LX100 and I am a bit puzzled of why the flat port is offered as a default. The mini dome seems perfect for all round reef use when there are no really small critters and medium size fish.

 

Nauticam has also a super wide option that utilizes a short port with a 67mm thread. This takes the Inon UWL-H100 from what we have heard and also a new lens Nauticam has designed.

The zoom will be  locked so the lens will stay at 24mm limited to circa 50mm which means with the wet lens this is a 16-32mm wide lens in water, I am not sure however that zoom in will be a possibility with the Inon lens but will be possible with the Nauticam lens as far as I understand.

Nauticam LX100 Wide wet lens

So what is the strategy for Nauticam and this housing?

It is quite clear for me that the Panasonic LX100 has the same 4K capabilities of the GH4 the same IPB codec and processor. It falls short of cinema options but costs half of the GH4 body.

So for your perusal those are the equivalent options

Super Wide

Panasonic LX100  $899 NA-LX100 with Short Port and Wet lens $1,700 circa

Panasonic GH4 with 7-14mm and 6″ dome $2750 housing and port only plus camera and lens $2,399

The max field of view of the two options is almost the same however you can’t zoom the LX100 due to the zoom lock on the housing.

LX100 $2,599

GH4 $5,149

Price Difference $2,550

Mid range

Panasonic LX100 $899 with 3.5″ dome circa $1,300

Panasonic GH4 with 12-35mm and 6″ dome $2750 housing and port Camera and Lens $2,399

The LX100 is wider in 4K at 26-81mm vs 28-81mm of the GH4

LX100 $2,200

GH4 $5,149

Price Difference $2,950

Close Up

Panasonic LX100 with rectangular port $2,000

Panasonic GH4 with 14-42 and 35 macro port $1,815 housing and port $2,540

The GH4 will have more magnification due to the longer focal length with the same diopter.

LX100 $2,000

GH4 $4,355

Price Difference $2,355

So the performance may be better but the price difference is very high.

The total cost of the Panasonic GH4 plus lenses housing and port is around $6,640 but the LX100 stops at a much more modest $2,400 without the wet wide angle lens. This still does not include flip diopters adapters and lens worth another $800+ but gives an idea that the total will be around $3,200 for the whole set.

You can get a complete 4K underwater video rig around $4,500-4,700 including tray, video lights and all the rest which few years ago would have been unthinkable.

Panasonic DMC-LX100 More Info and Reviews

Like the LX7 the LX100 has a multi aspect sensor. This means that the diagonal field of view does not change in the various aspect ratios.

The camera is a micro 4:3 so the sensor size is half of a full frame sensor at 18×13.5 mm. However only part of this is used by the camera more specifically 13.7×10.3mm are actually used in the same aspect ratio.

Resolution 4112×3088 in 4″3 format

When the aspect ratio changes to 16:9 although the diagonal field of view remains the same the horizontal pixel count increases

Pixel count at 16:9 Aspect Ratio

Now we have 4480 horizontal pixels and 2520 vertical so the horizontal field of view is wider than in the 4:3 or 3:2 aspect ratios.

This means that at normal 1080p the camera will perform like a normal 3:2 sensor at 22.9mm. All of this to say that the LX100 like the LX7 are wider in movie mode than the Sony RX100 Mark III despite the lens is declared at 24mm in both cases as when we go to 16:9 the Sony crops the sensor and goes to 25mm whilst the Panasonic cameras stay at 24mm. So even at 4K 16:9 the LX100 will be marginally worse than the RX100 Mark III at 26mm vs 25mm. Note that the crop is 2.56x at 4:3, 2.47x at 3:2 and 2.38x at 16:9.

We don’t have details about wet lenses yet but for the solution with a dome like the Ikelite housing or the Nauticam mini dome we are talking about a maximum field of view of 79.52º at 4K which is acceptable for most cases.

The challenge like with the Sony RX100 Mark III is at telephoto end were 81mm in 4K is quite little. Panasonic has however the option of the iZoom that was pretty useful with the LX7 and that crops down to a ‘normal’ 1920×1080 which promises to be pretty good with a 2x digital zoom with scaling.

In DxoMark sensor test the LX100 scored the same of the RX100 Mark II and III with a minimal improvement in low ISO.

Which in shorts leaves to the conclusion that unless you need 4K the Panasonic LX100 is not going to be your wonderful underwater camera however if you can process the 100 mbps IPB files that the camera produces, the result when scaled down to 1080p has got so much more quality compared to other 1080p cameras.

The lack of the ND filter compared to the previous LX7 is a miss, but Panasonic though that at f/16 there are anyway the 3 stops so performance will not suffer, we disagree with that as surely diffraction will be substantial at f/16 and we rather have less depth of field near the surface than more.

Let’s face it, the LX100 is half the cost of the GH4 if you use the nauticam housing and this is before the GH4 has added lenses and ports, the GH4 will give you richer color and probably 2/3 step ISO improvement and much more if you use an external recorder but the LX100 is the 4K camera for the consumer and we are looking forward to a full operational housing from Nauticam, Recsea or any other!

 

 

Panasonic DMC-LX100 Ikelite Housing

The American manufacturer is the first to reach the market with a polycarbonate housing for the Panasonic LX100.

Specifications

  • 200 ft (60m) depth rating
  • Controls for all camera functions except Diopter Adjustment Dial, Aspect Selector Switch, Front Control Ring, and Focus Selector Switch
  • Ikelite 5-pin bulkhead with TTL circuitry
  • Near neutral buoyancy in fresh water
  • Weight 4.7 lb (2.1 kg)
  • Dimensions 7 x 6 x 6 in (18 x 15 x 15 cm) including projections
  • 3.9-inch (99 mm) diameter glass lens port

The first thing that we notice is that not all controls are accessible, is this going to be an issue?

Diopter Adjustment Dial – this is normally set fixed

Aspect Selector Switch – this does not change during the dive

Front Control Ring – this controls manual focus and is important

Focus Selector Switch – this switches between macro and normal focus mode an is important if you don’t use a close up lens

As the LX100 with a 24mm lens is not going to be really a photographer dream Ikelite could have spared an expensive TTL converter but I requested confirmation from the manufacturer and they said only a TTL version is planned – not good for us!

Ikelite LX100 Front View
Ikelite LX100 Front View

The housing looks a bit bulky as usual but considering that for video we access a limited set of controls this is not going to be a major problem except maybe the rear metal buttons.

Rear View
Rear View

Probably the best feature of this housing are the accessories.

The housing comes with a large 3.9″ flat round port that per-se is not good for much, however you can add the WD-4 Dome and the macro M67 adapter to improve matters. The WD-4 dome is a glass removable dome that is sharp and will restore the lens field of view and allow for some zooming, the macro adapter allows to mount M67 close up lenses as a push on.

Probably the feature that will miss the most is the focus mode switch as the rest can work quite nicely with focus lock.

Cost wide the housing is $750 with the WD-4 and the Macro adapter this totals at $1115 plus taxes.

The nauticam housing is rumored to be $1,100 without ports so this ikelite housing could be competitive and we like the port system a lot for simplicity even if the choices are a bit limited as all in all this is good enough for video if combined with a selection of diopters. The lack of the focus mode switch could create some challenges in portrait work with the bare port but a series of mid range close up lenses can fix the issue.