Today I went out with both the GH5M2 and GH6 to shoot some roll for my new project.
I have tested the GH6 in my light box and surprisingly CineD2 has changed it is now correct but also more saturated. So to avoid issues I shot both cameras in V-Log. Most readers know I am not a fan of log footage however today they conditions were pretty decent so I was at base ISO and I did not mind closing the aperture as I was shooting birds and landscape.
Lumix GH5M2 set up
I shot the GH5M2 in default settings in VLOG without manipulating exposure. The camera has a tendency to overexpose and I let it do it.
I set up color temperature to daylight to avoid differences and shot All Intra 30fps at 400mbps on a tripod. It was windy at times.
Shot sunrise then the pond that is the target for my long lens work.
Lumix GH6 set up
I used the same settings of the GH5M2 but shot at 60 and 120 fps using the new codecs of the GH6. I did not use dynamic range boost.
As I used a very long lens I had set up a plate for the tripod but I still got occasional shake as I was fidgeting the remote shutter.
As the camera has a lag to start recording I ended up shooting many blanks. I realised the lens is far too long for birds in flight but good for detail shots.
Putting it together
I combined footage in Final Cut Pro and used the standard VLOG to V709 LUT. I then added vibrancy and sharpness.
Each scene was corrected for exposure individually not pre-cooked LUTs were used.
This is the resulting video
I used slow motion from the GH6 at 50% and 25% speed this is really a great feature for wildlife. The only thing missing is a pre-roll
All in call the cameras when the GH6 has dynamic range boost off look very similar and this is because GH6 levels are clipped.
The GH6 has the same USB power capabilities introduced in the GH5M2.
In this video I show you what I use with my cameras.
Initially with the GH5 I could only use a dummy battery kit and this will continue to work however it may have challenges with mechanical shutter or very high bitrate codecs of the GH6.
Therefore the recommended solution is a PD Power Bank
Pay attention to the checks you need to do as your power bank needs to deliver 9V 3A which usually means at least 45W better 65W
Join me photographing the annual Red Deer rut in the stunning grounds of Woburn Deer Park, near Milton Keynes, home to the largest deer population in the United Kingdom and featuring a variety of deer species. Workshops start in October, the peak mating season for the red deer the most iconic British species, and continue until February.
The call
Who will benefit from this workshop
The workshop is tailored to beginner and intermediate wildlife photographers and will focus on photography techniques, exposure and fieldcraft required to get your perfect deer shot with the least possible effort. In addition to red deer other very photogenic deer species are on the grounds and will make fabulous portraits for prints or desktop wallpaper or social media. The session will also cover preparation and post processing to ensure you get your images to the best possible quality.
Sika Deer
Logistics
The workshops starts with a preparatory video call where we will discuss how to get the shots prior to the actual shooting session. This will also account for expected weather conditions so you can make the most of the session.
The day begins around 7 in the morning and last for circa 2-3 hours of field work, you can then continue exploring the grounds on your own at your leisure. There will be a moderate level of walking in possibly uneven/muddy terrain around 10,000 steps in total.
Two days after the workshop we will look at your 3 favourite images from the session and how to post process them for best results.
The grounds offer incredible landscape photography opportunity
Equipment
You will need a lens with focal length between 200-500mm (35mm equivalent) ideally with a teleconverter if you want to get close up portraits plus any other lens for landscape shots (50-100mm equivalent is recommended) possibly with wide aperture if you are interested in sunrise photography (winter months only). You will also need wellington or waterproof walking boots, warm clothing and windproof jackets, in the winter months hats and gloves are also recommended. Only green, camo or dark colour clothing is allowed.
For post processing I will perform demonstrations using adobe suite products and DxO Photolab what you will see will be applicable to any software.
Participants and prices
The number of participants is limited to 3 per session and the price is £100 per person for the preparation call, the shooting and the post processing. Sessions are allocated on a first come first serve basis.
For 2021 I am offering a promotional price of £50 for all members of Chiltern Camera Clubs association. Please include details of your camera club membership in the booking. I am also offering 50% to instagram followers using a discount code that you can find on my posts. Only a limited number is available.
Workshops will be carried out in any weather conditions except the most extreme. In case of rescheduling you will be informed 48 hours prior and new dates will be arranged. Book early to avoid disappointment.
Dates & Booking
Session occur on weekends excluding bank holidays. Special session may be arranged on request mid-week by prior appointment.
All activities are conducted in rigid observance of the British Deer Society code of conduct for photographers. You can familiarise yourself with it watching their informative video.
Workshops are conducted from public footpaths and you are required to underwrite a release form before the preparation call.
If you have a GH5 (Mark I, II or S) you are probably not just doing underwater video but also taking scenes on land. In fact perhaps you are reading this blog and you do not even use your camera underwater.
Either way you know by now that shooting video just with your camera handheld is not a terribly good idea and the tools required are different from photography where once you have a tripod a remote shutter and a bunch of filters are practically set.
Video requires quite a bit of hardware. I have gone through this process and even tried to adapt some of my underwater hardware but it was really bulky and at the end you are better off with proper gear so I use Smallrig.
Smallrig is a Chinese company that makes tons of various bits for your camera for a variety of situations. The first item you need is a cage and they have just released a new updated version for the GH5 cameras.
Clicking the image above will take you to Amazon UK where you can check details of the item.
The cage is the starting point and you can put your camera strap the weight of 190 grams does not add terribly to the camera and in any case if you have a GH5 you are used to carry some more weight. The cage lives permanently on my GH5 unless I put it in the underwater housing.
I am now going to go through a series of set up that I use with some other components as well but first some words of warning.
Smallrig suggests to use a Nato handle on the left hand side however this blocks the HDMI side port from opening. In addition the arri locating pins are too high and if you use a side handle in arri format it will hang and not be level with the cage.
I wrote Smallrig to tell them and they accepted the feedback the reality is that they do not test designs with camera they run 3D simulations and they do not go and open all the ports, plugs etc. So the only handles that actually work with this cage and do not impede any functionality are in this article.
Monopod/Tripod Rig for Wildlife shooting
The basic rig for monopod and handheld work (this means you hold the camera steady and you do not move) has a top handle and a side handle plus a small microphone and if required an LCD shade.
Cage plus top and side handle microphone and LCD shaderFront view of the Handheld set up
I have gone through a series of handles for this cage and I have settled for the following items:
We are looking at £180 for all this hardware this stuff is not cheap however I just can’t emphasize how more ergonomic and effective this is compared to holding the camera directly.
I have this rig used it for my deer film project.
The Deer Watcher was shot with this rig on a monopod
Handheld Rig
There are situations where setting up a gimbal is too much and you want to take simple footage handheld just using the camera IBIS. This works very well with a standard zoom lens like the Panasonic DG Leica 12-60mm or the Lumix 12-60mm.
In those situations is better to have two handles and the set up needs to be as light as possible.
Handheld Rig for walking shots
You will notice that the handles are smaller and they are also lighter. If you walk with your camera you are typically using the LCD and with two handles you are able to be much more steady if you were just gripping the camera.
Handheld Rig rear view
You can also use the EVF instead of the LCD if you prefer to have three points of contact with the camera.
In those situation where you are in a studio or controlled environment you can use manual focus for pulling and usually you also have a monitor to have precise exposure. I tend to use this on a fluid video head and sturdy tripod for indoor shots.
Focus Pulling Rig
Here I am shooting the mighty PanaLeica 10-25mm and I have my trusted Swit CM-55c field monitor.
Focus pulling rear view
I have an atomos ninja however since the GH5M2 has 60 fps in camera at 10 bits I only use it in bright outdoor scenes and the SWIT is just better in terms of tools and lighter.
Side view
With the new linear focus option for manual focus you can have a complete 360 degree turn of the wheel for manual focus if you so wish or shorter runs if preferred. I use 300 degrees.
It can be a bit daunting to search for the right items that do the job when you want to use your cage I hope this article will help you making the right choices and save time without having to do the trial error and return process I have done in the last year!
Disclaimer: there are many USB power banks on sale however most of them do not declare the maximum output current and therefore you cannot be sure that it will work in all situations I describe. The equipment I use does work and is proven by my daily experience, the suggestions are not prescriptive but if you choose your own parts you do do at your own risk
It has been some time since my post on chargers and recharge facilities. During the pandemic I have done a considerable amount of land based photography including wildlife, landscape and astrophotography so I have had the opportunity to develop the concept of portability further on the field. So I wanted to share my experience with you all as some of the findings are beneficial in every day situation.
Charging your camera battery
Today some cameras can charge the battery in camera using USB. In almost all cases the camera needs to be turned off to allow charging, as a complete recharge of your battery can take a few hours I never use this method. I always rely on spare batteries typically 3 and a dual battery charger that can be powered using USB. I use Newmova they are cheap and cheerful for both my Panasonic and Olympus cameras.
Newmowa Dual USB Charger for Olympus BLH-1 and OM-D EM1 Mark II, OM-D E-M1X Camera £9.99
Newmowa Dual USB Charger for Panasonic DMW-BLF19 and Panasonic DMC-GH3,DMC-GH4 DMC-GH5, DC-GH5S(DMW-BLF19 Dual USB Charger) £9.99
With 3 batteries you can have two in the charger if needed and one in the camera which means uninterrupted shooting for a long period of time depending on your use.
Battery Grips
I also use battery grips in particular for my Olympus camera. Battery grip provide the most benefit when you are not wanting to interrupt shooting while swapping batteries. I usually set the camera to use the grip battery first and the camera as back up which means you can then insert another battery in the grip and keep shooting. I do not recommend using a battery grip as a sole source of power as at the end you can can go through 2 batteries relatively fast if you use quick burst shooting. The other dis-benefit of the grip is the one battery is always locked inside the camera so you need to increase your total battery stock to 4 if you use a dual charger. The grip is very useful to shoot verticals and provide weather sealing but overall is not my favourite option and I only use it for specific session on my Olympus camera because I only have 2 batteries.
There are some working 3rd party battery grip like this one that function AS LONG AS YOU USE ORIGINAL OEM BATTERIES.
Neewer Battery Grip Compatible with Panasonic Lumix G9 Camera Replacement for DMW-BGG9 with Shutter Release Focus Point Control Joystick £59.99
I have not seen versions for Olympus camera and the original battery grip is expensive. I got mine second hand for a good price.
Again if you only have two batteries or you want to rotate 4 batteries a battery grip is a good option if you don’t mind the extra weight.
Power Banks
I use a relatively simple USB power bank as I do not have PD capable cameras. This power bank has a decent capacity but more importantly it can output 4.5A using two outlets.
This power bank has also a light included very useful for your night photography. You can also use it to charge your phone but with two outlets means you can power two dual USB chargers and effectively charge 4 batteries twice until it runs out (typical battery less than 2000 mAh).
This power bank can also be used as constant power supply for cameras that take a dummy battery and do not support powering through USB.
DMW-DCC12 USB Power Cable kit DMW-DCC12 DC Coupler Dmw-Blf19 Dummy Battery (BLF-19 Battery Replacement) Compatible with PANASONIC DMC-GH3 DMC-GH4 DMC-GH3K DMC-GH4K DC-GH5 GH9 and more Digital Cameras £22.99
Using the power bank with this fake battery kit means I can run my GH5 in video for days (8.72x batteries equivalent charge).
IT IS VERY IMPORTANT THAT YOUR POWER BANK OUTPUTS MORE THAN 3A OTHERWISE IF YOU USE MECHANICAL SHUTTER THE CAMERA MAY GO IN SHUTTER VIBRATION AND SUFFER PERMANENT DAMAGE
Some well know power bank from respectable brands like anker and even rawpower themselves only outputs 3A current total so when the mechanical shutter is used and the camera draws more current you run into issue. This also happens when you set a custom white balance and the camera triggers the mechanical shutter. So if you have such power bank you are limited and hence I do not recommend them.
If you also use flash you can use the same chargers I already linked in the previous article
Prices have dropped to £7.99 for the micro USB and £9.99 for the dual USB C and micro USB input. Note that despite the misleading description the two chargers are identical except one has micro USB and the other also USB-C. The USB-C version is slightly bigger (70x90x23 mm USB version vs 97x114x34mm USB C). The USB C version has a stronger output for AAA batteries that I do not use and it does not charge faster standard AA so don’t be mislead.
EBL 40Min Smart Fast USB Battery Charger for AA AAA Ni-MH Rechargeable BatteriesEBL 2-hour Super fast AA AAA Rechargeable Battery Charger with Battery Intelligent Auto-detection Tech for 1-4 NiMH Rechargeable Batteries
Dew Heaters
Another useful accessory if you do astrophotography in humid or cold environment is a lens warmer. There are two versions I recommend the one with the temperature regulator as the strip gets to 50 C and this can increase dark current noise in your shots.
COOWOO Lens Heater Warmer Dew Heater with Temperature Regulator Strip for Ice Fog Universal Camera Telescopic Bottle Heating (Black)
Amazon.com links for my American followers
EBL 40Min Smart Fast USB Battery Charger for AA AAA Ni-MH Rechargeable Batteries
DMW-DCC12 USB Power Cable kit DMW-DCC12 DC Coupler Dmw-Blf19 Dummy Battery (BLF-19 Battery Replacement) Compatible with PANASONIC DMC-GH3 DMC-GH4 DMC-GH3K DMC-GH4K DC-GH5 GH9 and more Digital Cameras
Neewer Battery Grip for Panasonic G9
RavPower 16750 mAh 4.5A dual USB power bank
NewMowa Olympus dual charger
NewMowa Panasonic dual USB charger
COOWOO Lens Heater Warmer Dew Heater with Temperature Regulator Strip for Ice Fog Universal Camera Telescopic Bottle Heating (Black)
It is now almost one year since Covid-19 lockdown in UK and a bit more since my business travel has stopped. Next week I will getting my Covid-19 first vaccine jab but we do not yet have full clarity about the implications on leisure and business travel. The various countries are dealing with the pandemic with different degrees of speed and effectiveness and it is possible that some of the most exotic diving destinations will be on the allowed travel list later than western countries.
Many people have discovered local diving out of necessity and some have also done underwater photography in their bath, however for me this was not sufficient.
Since last year I formally joined a photography club and looked at expanding my interests. In 2020 as I have been staying at home I have taken the highest number of photos to date.
At beginning I thought: how can I reuse some of my camera lenses I use underwater on land? Mostly this was about macro in the garden. Slugs, bees and flowers were part of the first part of the journey.
the eye
B-flight mode
I soon realised the skillset was similar but not identical and there were specific requirements to be fulfilled.
I then moved into abstract tried some portraits and more night photography. I needed to start investing in more lenses as I was getting more specialised and improving in the task.
V for…
Furcarnation
Backlit
Oil & water
Home Sweet home
San Francesco
Looking forward
I also started some bird photography in the garden using feeders to entice little birds. This proved challenging but I discovered I much more preferred predators and larger birds so I started going on walks locally to photography red kites. I already had a long lens so with a teleconverter started getting better at photographing birds in flight.
Red Kite
Disrespectful teen
All of this has been done locally without the need to travel.
After a short summer break, where I got to do some diving re-discovering the beauty of Sorrento peninsula and the amazing diving on the coast, it was time to get back to England with the somewhat grim prospect of a very dire winter in full lockdown.
And then something happened thanks to the friends of the New City Photographic society I discovered an amazing location on my door step.
Woburn Abbey and deer park owned by the Duke of Bedford and spanning across the towns of Woburn and Ridgmont.
Woburn Abbey on a cloudy day
I went there the first time in November and literally fell in love with the location. After many early morning rise and many pictures taken I decided it was time for a video project.
Sika Stag Beauty
Deer are sufficiently large that are not too difficult to film compared to birds and are extremely rewarding as they tend to stare at you.
The winter season has been an opportunity also for late sunrise which meant not so early wake up calls to get there for the golden hour.
Sunrise ruts
Now that we are coming to the end of the full lockdown scheduled for March 29th I have decided to release a short film to remember what it was during this period and the magic moments I had the privilege to experience mostly on my own in the Woburn Deer Park.
The film will be released on my YouTube channel on Friday 26th of March at 8PM GMT. To make it easier to digest I will upload it in separate parts and if possible as a whole. YouTube is being very slow to process footage in the last months so I hope it will be all up next week.
I hope you will enjoy it. It is a total of 26 minutes of duration out of around 2 TB of video material collected in the months of January, February and March 2021. I will be putting posts on how it was shot in case you also want to expand your horizons…
Interceptor121 Photography & Video Workshops 