Category Archives: Canon EF lens

Canon 8 – 15 mm Fisheye on the Panasonic GH5 Pool Tests

It was time to get wet and test the Canon 8 – 15 mm fisheye on the GH5 in the pool so I made my way to Luton Aspire with the help of Rec2Tec Bletchley.

I had the change to try a few things first of all to understand the store coverage of the fisheye frame, this is something I had not tested before but I had built a little model.

In purple the ideal rectangle built with the maximum width and height of the fisheye frame

This model ignores the corners the red circle are 90 degrees light beams and the amber is the 120 degrees angle. A strobe does not have a sharp fall off when you use diffusers so this model assumes your strobe can keep within 1 Ev loss around 90 degrees and then drop down to – 4 Ev at 120 degrees. I do not want to dig too deep into this topic anyway this is what I expected and this is the frame.

Shot at 1.5 meters from pool wall

You can see a tiny reflection of the strobes together with a mask falling on the left hand side… In order to test my theory I run this through false colour on my field monitor, at first glance it looks well lit and this is the false colour.

False colour diagram of previous shot

As you can see the strobes drop below 50 at the green colour band and therefore the nominal width of those strobes is probably 100 degrees. In the deep corners you see the drop to 20 % 10% and then 0 %.

Time to take some shots

Divers hovering @ 8 mm

The lens is absolutely pin sharp across the frame, I was shooting at f/5.6 in the 140 mm glass dome.

Happy divers @ 9 mm
BCD removal @ 10 mm
Gliding @ 11 mm
Open Water class @ 12mm
Divers couple @ 13 mm
Hover @ 15 mm

Performance remains stunning across the zoom range. I also tried few shots at f/4

9 mm f/4

There is no reef background but looks pretty good to me.

The pool gives a strong blue cast so the shots are white balanced.

If you want details of the rig and lens mount are in a previous post

https://interceptor121.com/2019/11/02/fisheye-zoom-for-micro-four-thirds/

Panasonic GH5 zoom fisheye rig

Fisheye Zoom for Micro Four Thirds

Looking at Nauticam port chart the only option for a fisheye zoom is to combine the Panasonic PZ 14-42 with a fisheye add on lens. This is a solution that is not that popular due to low optical quality.

So micro four thirds users have been left with a prime fisheye lens from Panasonic or Olympus…until now!

Looking at Nauticam port chart we can see that there is an option to use the Speedbooster Metabones adapter and with this you convert your MFT camera to a 1.42x crop allowing you to use Canon EF-M lenses for cropped sensor including the Tokina 10-17mm fisheye. This is certainly an option and can be combined with a Kenko 1.4x teleconverter giving you a range of 14.2 to 33.8 mm in full frame equivalent or 7.1 to 16.9 mm in MFT terms fisheye zoom of which the usable range is 8 -16.9 mm after removing vignetting.

A further issue is that the Speedbooster gives you another stop of light limiting the aperture to f/16 while this is generally a bonus for land shooting in low light underwater we want to use all apertures all the way to f/22 for sunbursts even if this means diffraction problems.

Wolfgang Shreibmayer started a trend time ago in WetPixel https://wetpixel.com/forums/index.php?/topic/61629-canon-ef-lenses-on-mft-cameras/ to use full frame lenses and in this post I want to do a deep dive on what is for me the most interesting lens option the Canon 8-15mm fisheye.

This lens on full frame can be used for a circular and diagonal fisheye but Wolfgang has devised a method to use it as an 8-15mm fisheye zoom on MFT.

Part list – missing the zoom gear

What you need are the following:

  • Canon EF 8-15mm f/4L fisheye USM
  • Metabones Smart Adapter MB_EF_m43_BT2 or Viltrox EF-M1 Adapter
  • A 3D printed gear extension ring
  • Nauticam C-815Z zoom gear
  • Nauticam 36064 N85 to N120 34.7mm port adapter with knob
  • Nauticam 21135 35mm extension ring with lock
  • Nauticam 18810 N120 140mm optical glass fisheye port

The assembly is quite complicated as the lens won’t fit through the N85 port. It starts with inserting the camera with no lens in the housing.

GH5 body only assembly
Camera in housing without port

The next step is to fit the port adapter

Attach N85 N120 Metabones adapter

Then we need to prepare the lens with the smart adapter once removed the tripod mount part.

Canon 8-15 on Metabones Smart Adapter IV

As the port is designed for the speed booster the lens will be few mm off therefore the gear will not grip. Wolfgang has devised a simple adapter to make it work.

gear extension ring
Zoom gear on lens

This shifts the gear backwards allowing to grip on the knob.

3D design is here

Lens inserted on housing

Looking at nauticam port chart an extension ring of 30mm is recommended for the speedbooster and now we have extra 5mm in length Wolfgang uses a 35mm extension. however looking at the lens entrance pupil I have concluded that 30mm will be actually better positioned. Nauticam have confirmed there won’t be performance differences. You need to secure the ring on the dome before final assembly.

Fisheye dome and extension
Full assembly top view
Side front view

The rig looks bigger than the 4.33 dome but the size of the GH5 housing is quite proportionate. It will look bigger on a traditional small size non clam style housing.

The disassembly will be made again in 3 steps.

Disassembly

I am not particularly interested in the 1.4x teleconverter version consider that once zoomed in to 15mm the lens is horizontally narrower than a 12mm native lens so there is no requirement for the teleconverter at all.

This table gives you an idea of the working range compared to a rectilinear lens along the horizontal axis as diagonal is not a fair comparison. The lens is very effective at 8-10mm where any rectilinear would do bad then overlaps with an 8-18mm lens. The choice of lens would be dictated by the need to have or not straight lines. The range from 13mm is particularly useful for sharks and fish that do not come that close.

Focal lengthHorizontalVerticalDiagonalHorizontal Linear EqWidthHeightDiagonal
8130.995.9170.217.31321.64
9114.984.7147.8
10102.575.9131.06.9
1192.668.7117.88.3
1284.562.9107.29.5
1377.757.998.410.8
1472.053.790.911.9
1567.050.184.613.0

Wolfgang has provided me with some shots that illustrate how versatile is this set up.

8mm end surface shot
Caves 8mm
15mm end close up
Dolphins at 15mm
Diver close up at 8mm
Snell windows 8mm
Robust ghost pipefish @15mm

As you can see you can even shoot a robust ghost pipefish!

The contrast of the glass dome is great and the optical quality is excellent. On my GH5 body there is uncorrected chromatic aberration that you can remove in one click. Furthermore lens profiles are available to de-fish images and make them rectilinear should you want to do so.

I would like to thank Wolfgang for being available for questions for providing the 3D print and the images that are featured here on this post.

If you can’t print 3D and need an adapter ring I can sell you one for £7 plus shipping contact me for arrangements.

Amazon links UK

Canon EF 8-15 mm f/4 fisheye USM lens

Viltrox EF-M1 Mount Adapter

Note: it is possible to use a Metabones Speed Booster Ultra in combination with a Tokina 10-17mm zoom fisheye and a smaller 4.33″ acrylic dome.

UK Cost of the canon option: £3,076

Uk Cost of the Tokina option: £2,111

However if you add the glass dome back

UK Cost of Tokina with glass dome: £2,615

The gap is £461 and if you go for a Vitrox adapter (would not recommend for the speedbooster) the difference on a comparable basis is £176 which for me does not make sense as the Canon optics are far superior.

So I would say either Tokina in acrylic for the cost conscious or Canon in glass for those looking for the ultimate optical quality.